I heard M. T. Anderson speak at the 2010 conference in Los Angeles for the Society of Children’s Book Writers and Illustrators. He’s an amazing writer and energetic speaker (a great sense of humor, too). The subject of his presentation was literary experimentation in fiction and how they can be applied to children’s literature, where these techniques are often more readily accepted. He said that a technique that might be celebrated in a book for kids might be criticized for being pretentious if applied to a work intended for adults.

Anderson felt that children’s literature allows for a sense of play, and that kids are more malleable readers. These techniques are not new, but they are often unrecognized and feel new. The work teaches us how to read it and assume that the reader possesses the ability to grasp the work and its techniques. One example would be Shaun Tan’s The Arrival, which orients the reader to the book’s unique visual language and symbols through the course of the tale.

Techniques

Metafiction – Story about the story being the story

The Monster at the End of This Book by John Snow

The Three Little Pigs by David Weisner

Harold and the Purple Crayon by Crockett Johnson


Fabulism and Magic Realism
– Myth, fable, and dream

The Old Country by Mordicai Gerstein

“A Very Old Man with Enormous Wings” by Gabriel Garcia Marquez

Skellig by David Almond (one of my favorites)

Typographical Play and Intrusion – A device that reminds you that you are reading, literally playing with text and fonts

Formalism - Repetition, structure, and obvious form of language

Poetry and picture book refrains


Words as Sounds Instead of Meaning

Ounce Dice Trice by Alastair Reid


Nonsense or Whimsy

Hypertext – Text can be read out of order, Internet fiction, non-linear narrative, any book with footnotes

Choose Your Own Adventure

Pale Fire by Vladimir Nabokov

Self-contradiction – Two plotlines in parallel, but they can’t co-exist

I am the Cheese by Robert Cormier

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In our culture, we are told, we crave to be young, or, at least, look ten or so years younger than the birth certificate indicates. Hmm. (That’s the sound of this writer’s doubts, reverberating, lilting at the end, with a smidgen of irony. The cat approves of this momentous noise issuing from the kibble-giver, but he’s also half asleep.)

Be young. Be young. Hmm.

There’s a sort of amnesia or emotional calcification that’s taken place. For me, the manufacturing of a childhood is linked with social isolation and disdain for others. Childhood has become a romanticized commodity, especially for the middle and upper classes, as if every kid has to experience what Mom and Dad wish they’d had. Kids don’t have to wait for new, shiny stuff, or earn the money; they are princes and princesses in the making. They possess the latest gear and gadgets, and they are already bored, looking forward to nothing. And many families (although it’s not the majority, I hope) act as if every public area is their private living room

But here’s the thing about childhood: kids live in a constant state of vulnerability. That’s part of what makes them interesting to write about and for. They are told what to do, where to go, what they should be, how to feel–and those kids are often the lucky ones. The unlucky ones are neglected or preyed upon, and have no childhood at all: they’ve never felt safe.

Kids grapple with intense emotions and situations for the first time. It’s not easy to deal with pain as an adult – remember what it was like the first time you faced rejection, failure, or grief? I’m not talking about overdone, eye-rolling, Facebooking angst. I mean real young people confronting real pain. Yeah, you remember. But can you feel it, still, or is it just an echo and a thought?

Is helicopter parenting and schooling is a denial of this emotional reality? This St. Louis school has decided that best friends are bad – because someone’s feelings might get hurt. In other words, since a heart can be wounded, stick it in a padded room and feed it baby food to protect it. Make friendship a generic brand.

I have been trying to forgive this school, and its staff, for gross stupidity. It can’t be easy to be in their shoes. I imagine that they deal with a barrage of complaints: parents who see mistreatment or want favors; kids who ask for intervention in conflicts; proof of peer cruelty with text messages and posts, there for all to read and cluck over. Navigating that clutter must be maddening. But telling kids not to care too much about a special person, a best friend, is a poisonous and sick solution. Losing a best friend is a wrenching experience, especially when it occurs through rejection or group conflict. Not ever having experienced that friendship is far worse.

If you follow this school’s logic, we should all stop falling in love and getting married. Marriage leads to divorce half the time, right? Let’s separate the genders, meet for impersonal breeding, and call it good. Now that sounds enriching.

If this “no best friend” philosophy had been around when I was growing up, I can hear my mother, perhaps, agreeing with it and telling me to “branch out” and have more friends. I didn’t have a rosy childhood, but I am eternally grateful that I had so much freedom in comparison to kids today. I walked to school by myself, from kindergarten on. I loved that day-dreamy time, that private space between school and home. I rode my bike for miles. I had best friends. I lost best friends, and rarely was I willing to let them go. But those people were emotional milestones that I would never give up now, even for a less painful experience. It’s the creative wellspring for writers and illustrators for children.

To parents, to school staff, I say this: you cannot protect them from everything. You cannot soften every blow. What you can do, is to react well when the blows fall. Don’t dismiss the pain. Don’t assume that it’s forgotten. Don’t judge. Demonstrate your loyalty if needed, if the danger to them is too great, and end the situation after it happens. Then the true work begins. Teach coping skills so that kids may survive and even thrive after a difficult time. You talk, you sympathize, you heal. And grow. That’s how babes become warriors.

Which returns us to the small role that stories play in this life drama. Reading stories is training wheels for the heart. If you make literature too safe, too bland, too innocuous, then you have taken away both safety and comfort in the process of learning to cope with life. Unfortunately, many adults have decided that the bicycle itself is too dangerous as well. Lock up discovery. Chain new experiences. Never leave home.

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So Much Fun!

by Kate Barsotti on May 5, 2010

in children's books

Love to draw? Apply for the Sketchbook Project.

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Pure Inspiration

by Kate Barsotti on April 30, 2010

in children's books

Pop-ups, carousel, and movable books. Even peep-show books. Delicious.

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Where We Are Today with Publishing

by Kate Barsotti on April 30, 2010

in children's books

Clear facts and figures for publishing and e-books, from the The New Yorker.

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Stealing vs. Borrowing: New Boundaries and Digital Literacy

April 8, 2010

It takes a long time to create a work of art, and most artists, writers, photographers, etc. struggle to make a living. With the Internet and the promotion of self-expression, including the creation of images or music mixed from other people’s sources, where is the line between legitimate borrowing and outright theft?
Recently, I’ve watched two [...]

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Google Books Settlement: A New Scary Frontier

April 7, 2010

This is the best analysis that I’ve read for the average person:
“5 Ways the Google Book Settlement Will Change the Future of Reading” by Annalee Newitz
http://io9.com/5501426/5-ways-the-google-book-settlement-will-change-the-future-of-reading?skyline=true&s=i

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I’m Cranky About People Hailing the Death of Print

April 7, 2010

I worked in a public library for two years. Lots and lots of people don’t have computers, Internet access at home, or similar devices. Only someone who is enormously privileged would think that ebooks will eliminate print books – in other words, that print is no longer needed because YOU have access to technology. Please [...]

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Illustration Extremes

March 11, 2010

For pure beauty in text and illustrations, I can’t make a better choice than Fern Hill, a poem by Dylan Thomas and paintings by Murray Kimber.

The pattern of the pages is interesting. Kimber goes from single page images to a single page plus a third of the facing page, then to a full spread. This [...]

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Happiness is a New Stack of Books from Reading Reptile

March 3, 2010

I’m soooo lucky to have an independent children’s book store in my city. Other people may go to church for spiritual nurture. Not me. I go to Reading Reptile to pet the store cat and store rabbit (and sometimes the store rat), smell the books, touch the books, feel the books, marvel at Deb’s papier-mâché [...]

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Another Great Illustrator

February 26, 2010

Love this art: quirky style, communicates emotion, well executed technique.

Ritva Voutila

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Transcendent

February 21, 2010

Everything I need to learn about writing is in this story:
Claire Keegan: Foster

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Jobless: Making a Living or Making a Life

February 18, 2010

The new article on the lasting effects of joblessness is sobering. Much of it resonated with me since my husband was laid off in 2009, and I have friends who have been unemployed for more than a year. I am also leaving a perfectly good job in order to write and draw full time, as [...]

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Thoughts from SCBWI New York – 2010

February 17, 2010

I received great info at this conference (as always) and certainly became aware of additional areas that I need to improve. It was also striking that so many agents admitted to not knowing how the publishing industry is going. The bottom line was “Go write, and let us all figure it out later.”

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New Art Online

January 27, 2010

It’s late, and I’ve been preparing to leave for the SCBWI conference all day, and there’s more to do! Please check out my latest portfolio images using the navigation above. I’ve split the portfolio into two pages – people and critters.
I see lots of things that I’d love to alter in every single picture, but [...]

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Valuable Blogs and Tweets for Writers and Illustrators

November 11, 2009

I follow only agents and editors who specialize in literature for children, but much of their advice applies to all genres. Here are a few blogs and Twitter accounts that I’ve found useful.

Jennifer DiChiara – http://twitter.com/4writers. I’ve never met Jennifer, but have great respect for her agency partner, Stephen Fraser. One to watch.
Rachelle Gardener – [...]

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There Are Words On This Page

October 21, 2009

So much fun…if you are looking for a picture book that’s just fun, without deeper meaning, lesson, or gratuitous hugs, find Viviane Schwarz’s There Are Cats In This Book. The cats encourage the reader to turn the pages for yarn, fish, and pillow fights. The act of turning advances the “story” each time with cause [...]

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Stian Hole and the Triumph of Garmann’s Summer

October 14, 2009

Garmann's Summer

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Dream: The Light Shows Up When the Roof Falls In

September 29, 2009

I had one of those “duh” dreams last night. I’ve had variations of it before, but this time, the details stuck.
In the dream, my husband and I live in a house that’s much larger than our real one. It feels empty and new. It’s raining outside, a real tadpole-pounding, gully-washing, finish-up-the-ark sort of flood.
The ceiling [...]

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Recommended: Sweethearts by Sara Zarr

September 17, 2009

I just finished reading Sweethearts by Sara Zarr. I didn’t expect to like it. I read YA, but often reluctantly–so much angst! The characters can be so addled with emotion that I sometimes can’t find them credible…although I can’t say that I was any different at that age. It’s a dilemma: I wonder if portraying [...]

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TED Talk from Elizabeth Gilbert: Every Arist Should Watch

August 26, 2009

A great take on why we should’t worry about creative failure or success…just do your job and talk to your resident genius.

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